3d Print Show, London

A most interesting 3d printing show.  http://3dprintshow.com/

Exhibitors demonstrating software, hardware, and other stands included Medical uses for 3d printing, fashion, jewellery, and children's activities.  Fascinating and educational.  Providing ideas for the future for personal and commercial use.  Catch it if you can.

 

Printed by the Delta Tower (the tallest 3d printer available).  A fabulous visual texture and silk like sheen.  Paper origami can't compare to this.

Looking top down into the vase.

 

An organisation developing the 3d printing of clay, with the vision of printing houses for developing countries.  The material is a mix of smooth clay (ie, without grog), paper, and alcohol (to allow the material to move down the piping tubes).

Fractal edge of a beautiful grey vase.

 

The FABulous Victoria & Albert Museum

Canada-based designer Omer Arbel presented a massive, custom 28.280 chandelier stretching more than 30 meters in the main atrium. The installation was made up of 280 individual 28 Series glass pendant lamps, each of which is handmade at the Bocci glass factory in Canada. 

http://www.vam.ac.uk/content/exhibitions/london-design-festival-at-the-v-and-a-2013/video-bocci-chandelier-installation/

 

 

The Wind Portal is a dramatic gateway constructed from 5,000 paper windmills turning in the breeze. Created by Lebanese designer, Najla El Zein, specifically for the V&A, this walk-through installation creates a playful airway, drawing wind and light into the galleries beyond.

 

http://www.vam.ac.uk/content/articles/t/the-wind-portal/

  

 

 

South Bank Views

Halloween @ the South Bank.  Weather in keeping with London, drizzling, grey and miserable!  A refreshing walk, taking in the Design Museum, Wobbly Bridge (AKA Millennium Bridge) and Tate Britain.  Big puddles, slippery leaves, half-term families and hardy tourists about.

 

Mushrooms everywhere

It's the time of year, when it's getting darker, cooler and certainly at the moment much wetter - perfect conditions for mushrooms.  If only one could be certain which ones are edible and which would send you packing to an early grave.  

Large grey mushrooms were seen growing out of the joins of the portable coffee stand at Harpenden Station!  And in a bark chipping bags in an alley way.  There's no stopping them!

View from Parliament Hill Fields

The wonderful view from Parliament Hill on a clear day!  Not too wet considering all the rain that England has had in recent months.  Only a few pockets of mud that can be avoided if so wished.  Not often one can see out past London into the countryside.  An energetic walk, topped with this magnificent vista.

Ceramic Professional Practice Workshop @ The Victoria & Albert Museum

Ten participants had the fabulous opportunity to attend a two day workshop led by the sleek ceramicist, Louisa Taylor, throwing porcelain in a wonderful array of forms.  The second day enhancing their skills in throwing on the wheel and exploring methods that combined hand building and construction techniques.

http://www.vam.ac.uk/whatson/event/1782/skills-studio-ceramic-professional-practice-workshop-2950

Louisa Taylor who has been researching new techniques in this area during her six month residency at the Victoria and Albert Museum.   

The source of inspiration for her work stems from museum collections of historical dining vessels.  Louisa is fascinated by the rituals of dining and the role of tableware in contemporary dining.  Louisa creates objects for the table that aim not to prescribe specific functions but instead encourage sharing and relaxed eating; she likes the suggestion of how eating meals together can build stronger bonds/relationships within the family unit.  Each piece is thrown in porcelain and freely assembled.  Louisa's inspiration for the subtle colour palette is from the hand-painted decoration on soup tureens.  I deconstruct each individual colour and match it with glaze.  Louisa uses the content of the decoration to inform the overall composition of a piece; for example the height of the vessel correlates to the proportion of the colour in the pattern, jug forms suggest birds or figurative details.  The intention is create works that as a whole, describe the pattern from where they derived.

Louisa Taylor studied a BA (hons) degree in 3D Design: Ceramics, at Bath Spa University (2000-2003) followed by a Masters in Ceramics and Glass at the Royal College of Art, London (2004-2006).  Louisa set up her ceramic business in October 2006 and received a Development Award from the Crafts Council in January 2007.  Her studio is based in Deptford, south-east London where she produces her tableware range for shops, galleries and collectors in the UK and internationally.  Alongside making her work, Louisa is a Lecturer on the BA(hons)/Mdes 3D Design and Craft course at the University of Brighton and she is a professional member of the Crafts Potters Association and Contemporary Applied Arts, London.  Louisa is also the author of “Ceramics: Tools and Techniques for the Contemporary Maker”, published by Jacqui Small Publishing.

http://www.louisataylorceramics.com

http://louisataylorceramics.blogspot.co.uk

Alexandra Bircken, Unit 3 (and detail), 2008.  Coated aluminium, copper, brass, wire, roots, stones, acrylic paint, spray paint, cardboard, mortar, branches, tomato panicle, steel, concrete, wax, oilcloth, tangerine, apple cores, screws.  Frame: 220 x 140 cm.  Base: 185 x 80 cm.

Richard Wilson, 20:50, site specific installation, previously at Boundary Road NW8, where one could walk through the installation and dips ones fingers in the oil. It was fabulous there and is equally super in its new home, but not as interactive and accessible.

Jeppe Hein, Mirror Wall, 2010.  Mirror foil, wooden frame substructure, vibration system.  200 x 356 cm

Saatchi Gallery, Duke Of York's HQ, King's Road, London  SW3 4RY

http://www.saatchi-gallery.co.uk/